

Hokusai's own Tokaido series (Tokaido gojusan tsugi) is often overshadowed by Hiroshige's Hoeido edition, but offers a distinctively angular, powerful interpretation of the road by Japan's greatest master.
Nihonbashi — the Bridge of Japan at the very center of Edo, from which all distances in the country were officially measured — appears as the starting point of the Tokaido highway in this print from Hokusai's Fifty-three Stations of the Tokaido series (Tokaido gojusan tsugi). The bridge's ritual and commercial significance as the navel of the nation suffuses this depiction of the fish market and early-morning traffic beneath its arching span.

1821
Color woodblock print with metallic pigments; surimono shikishiban

1822
Color woodblock print; shikishiban, surimono

1822
Color woodblock print; shikishiban, surimono

c. 1832
Color woodblock print; oban

Woodblock print

1928
Color lithograph

1930
Color lithograph

1948
Woodblock print, ink and color on paper
Nihonbashi, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi) was created by Katsushika Hokusai (葛飾北斎).
Yes — Nihonbashi, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi) is part of the Fifty-three Stations of the Tokaido series (print 1 of 55) by Katsushika Hokusai.
Nihonbashi, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi) depicts urban scenes, tōkaidō, and travel scenes, set at Nihonbashi.