Yoshino, from the series "Snow, Moon and Flowers (Setsugekka)"

Yoshino, from the series Snow, Moon and Flowers (Setsugekka), is one of three designs in Katsushika Hokusai's elegantly themed late landscape set inspired by the classical poetic triad of snow, moon, and blossoms. Published around 1828, the series uses one celebrated location to embody each element; Yoshino, in the mountains of Yamato, is famous for its dense cherry groves and serves here as the embodiment of flowers (ka). Hokusai shows the slopes of Yoshino covered in clouds of pale pink and white blossoms, with paths and small figures of pilgrims winding through the trees and distant peaks fading into a soft mist. The design uses delicate [bokashi](/glossary/bokashi) gradations rather than the more saturated Prussian blues of the Mount Fuji series, in keeping with the lyrical, almost ethereal mood of cherry-blossom imagery. The Art Institute of Chicago holds this Edo [ukiyo-e](/glossary/ukiyo-e) print and documents it as part of the Setsugekka set. As a Yoshino subject, the design carries centuries of literary association, going back at least to the poetry of the Heian and medieval courts. Hokusai treats this freight of tradition lightly: his version of Yoshino is essentially a panoramic landscape composition, in which famous-place pilgrimage merges with a generalized celebration of spring. The result is a quintessential example of how Hokusai used ukiyo-e print conventions to bring classical poetic themes into a modern visual format accessible to a wide Edo audience.