Okuda Sademon Yukitaka
- Medium:
- Woodblock print
- Source:
- Robyn Buntin of Honolulu
- Image courtesy of
- Robyn Buntin of Honolulu
Description
A further impression of Kyosai's warrior print depicting Okuda Sademon Yukitaka, one of the forty-seven rōnin. The Chūshingura narrative provided printmakers with forty-seven discrete portrait subjects, each defined by individual character, weapon, and role in the 1703 raid, enabling coherent series production across multiple publishers and decades. Kyosai's versions of these subjects, produced across his long career from the late Edo into the Meiji period, show the influence of his early master Kuniyoshi in the compositional architecture of the standing armored figure — diagonal weapon, twisted torso, forward momentum — while the expressive specificity of facial rendering is distinctly Kyosai's own. The oban format sheet in nishiki-e technique presents the warrior against a ground that focuses attention on the figure. Slight variations between numbered impressions in this set reflect normal variation in hand-printed woodblock production rather than substantive compositional differences.
More Prints by Kawanabe Kyosai
from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Woodblock print
Old Picture of the Rashômon Gate (Rashômon no ko zu), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô), here called Tôkaidô meisho tsuzuki
Woodblock print
Tsukishimadera Temple in Hyôgo (Hyôgo Tsukishimadera), from the series Scenes of Famous Places along the Tôkaidô Road (Tôkaidô meisho fûkei), also known as the Processional Tôkaidô (Gyôretsu Tôkaidô), here called Tôkaidô meisho no uchi
Woodblock print
from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Woodblock print
Frequently Asked Questions
Okuda Sademon Yukitaka was created by Kawanabe Kyosai (河鍋暁斎).