Untitled

Kyosai's prints in an abstract or schematic mode sometimes derived from his lifelong engagement with the figure in motion—warriors, demons, animals, and dancers rendered with the minimum of marks necessary to convey kinetic energy. This untitled woodblock may belong to that tradition, presenting a form or cluster of forms whose abstraction is the product of speed and reduction rather than non-representational intent. The Kanō training that shaped Kyosai's early practice emphasized the brush stroke as an index of the artist's mental state and physical control, and in print form this indexical quality persists through the mediation of block and baren. Printed on washi with characteristic pigments, such impressions can be read as records of a performative act—the artist's drawing—as much as autonomous compositions. The abstract quality may intensify with time as the period visual codes embedded in the marks become less immediately legible.