![No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])" by Keisai Eisen — Japanese Color woodblock print; oban, c. 1835/36](https://www.artic.edu/iiif/2/f09d79df-02f5-a8d0-97f6-00130281a62a/full/843,/0/default.jpg)
No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])"
by Keisai Eisen
- Date:
- c. 1835/36
- Medium:
- Color woodblock print; oban
- Source:
- Art Institute of Chicago
Description
Designed around 1830, this Keisai Eisen print from the celebrated series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi) depicts the twentieth post-station, Kutsukake, set against the rain-swept expanse of the Hiratsuka Plain. The Kisokaido was the inland highway connecting Edo and Kyoto through the mountainous interior of Honshu, and Eisen contributed roughly twenty-four of the series' designs before the project was completed by Utagawa Hiroshige. Published by Takenouchi Magohachi (Hoeido), the series occupies a singular place in Edo ukiyo-e history as a counterpart to Hiroshige's celebrated Tokaido Road designs, showing the rougher, more weather-beaten landscapes of the mountain route. In this composition, Eisen renders a sudden downpour cutting diagonally across the plain, the travelers bent under straw raincoats and umbrellas as they push toward shelter. Although his reputation rests largely on bijin-ga, Eisen here demonstrates a confident command of landscape, using bokashi gradations to lay heavy gray clouds across the sky and parallel lines of woodblock-printed rain to flatten the middle distance. The horizontal format and low horizon line emphasize the openness of the terrain and the smallness of the figures within it, an approach that aligns Eisen's landscape sensibility with the new wave of meisho-e (famous-place pictures) emerging in the late 1820s and early 1830s. The print is preserved in the collection of the Art Institute of Chicago, which holds one of the most comprehensive sets of the Kisokaido series outside Japan, making it a valuable touchstone for studying Eisen's contributions to landscape ukiyo-e.
More Prints by Keisai Eisen

Act 6, Yoichibei's Home

Nunobiki Falls at Jakko Shrine (Jakko Nunobiki no taki), from the series "Scenic Spots in the Mountains of Nikko (Nikkosan meisho no uchi)"
1843/46
Color woodblock print; oban

Distant View of Snow on the Sumida River in Edo
c. 1840/44
Color woodblock print; oban

Backward-viewing Falls, One of the Three Waterfalls (Urami-ga-taki, santaki no sono ikkei), from the series "Famous Scenic Spots in the Mountains of Nikko (Nikkosan meisho no uchi)"
1843–1847
Color woodblock print
More Rain Prints

Rain Shower at Shо̄no, from the series Fifty-three Stations of the Tо̄kaidо̄ (Tо̄kaidо̄ gojusan tsugi)
1962
Woodblock print, ink and color on paper

Shōno: Driving Rain (Shōno hakuu), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō
c. 1833-36
Woodblock print (nishiki-e); ink and color on paper

Omiya in Rain (Ame no Omiya)
Ame no Omiya
1930
Color woodblock print; oban

Evening Shower at Teradomari (Teradomari no yau), from the series "Souvenirs of Travel, Second Series (Tabi miyage dai nishu)"
Teradomari no yau
1921
Color woodblock print; oban
Frequently Asked Questions
No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])" was created by Keisai Eisen (渓斎英泉) in c. 1835/36.
No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])" depicts rain.