（従箱根山中富獄眺望）

This print renders a view of Mount Fuji from the mountain roads of Hakone, positioning the volcano as a distant peak seen across an intervening landscape of forested slopes and valleys. The vantage point from Hakone—where Fuji appears across the lake or between mountain passes—had been a subject in Japanese landscape prints since the Edo period, but Kiyochika inflects the tradition with his characteristic atmospheric diffusion. Rather than the sharply contoured Fuji of Hokusai's Thirty-Six Views, Kiyochika's version is likely softer, partially obscured by mist or framed by dark foreground pines that contrast in tonality with the pale cone beyond. The Western concept of atmospheric perspective—objects losing color saturation and value as they recede—underlies the spatial organization, applied here through multiple graduated ink and pigment impressions on ōban washi.