（鴨）

This print depicts one or more ducks, situating it within the kacho-e (bird-and-flower) genre that Kiyochika approached with his characteristic emphasis on light and atmosphere rather than decorative pattern. The duck is likely shown near water — floating, landing, or resting among reeds — with reflections providing an opportunity for tonal modulation through bokashi. Kiyochika's kacho-e works tend to favor naturalistic observation over the stylized conventions of Shijo or Kano school bird painting, reflecting his interest in Western naturalism. The compositional framing probably uses negative space on washi to isolate the subject, and the palette, though restrained, uses pigment gradations to model feather texture and the sheen of water.