Pyramids

The print depicts the pyramids of Giza, drawn from observation made on the sea route between Japan and France that Nagase traveled in 1929 and again in 1936. Egyptian subjects fall well outside the traditional repertoire of Japanese prints and reflect the international outlook that [sosaku-hanga](/glossary/sosaku-hanga) adopted in its first generation. The geometry of the pyramids — three converging triangles set against open desert and sky — is well suited to mokuhanga, where flat color planes and [bokashi](/glossary/bokashi) gradation across the horizon can convey heat, distance, and time of day with very few blocks. Carved sand textures and the dark bulk of the structures against a graduated sky give the printmaker control over atmosphere that paint cannot easily match. Within Nagase's wider body of work, the print belongs to a travel sequence that documents his route to Europe and stands as evidence of how the founding sosaku-hanga circle reframed the woodblock as a sketchbook medium for personal experience rather than as a vehicle for stock famous-views.