View of Shanghai

The print depicts Shanghai, a treaty port that drew Japanese artists during the interwar decades for its mix of Bund waterfront architecture, junks on the Huangpu, and street-level vitality. As a destination subject, it falls outside the traditional [meisho-e](/glossary/meisho-e) canon and reflects the expanded geography that [sosaku-hanga](/glossary/sosaku-hanga) printmakers brought into mokuhanga — Asian and Western cities depicted through a medium that had once been reserved for Edo and the Tokaido. An urban view of this kind typically deploys a high or middle-distance vantage so that masts, smokestacks, and rooftops can be carved as crisp linear elements against broader washes of sky and water rendered through [bokashi](/glossary/bokashi). Nagase, who taught technique through his 1922 manual To People Who Want to Make Prints, would have been able to read each block's role in the registration and recommend strategies for printers working from his book. The view places his practice within the cosmopolitan turn of early twentieth-century Japanese printmaking.