A portrait of the printmaker Asano Takeji, rendered by his contemporary Nakagawa Isaku in woodblock. Asano was known for his lyrical landscape prints of Kyoto temples and gardens, and Nakagawa's depiction of him carries a collegial warmth—one sosaku hanga artist capturing another. The portrait format allows Nakagawa to work at a more intimate scale than his usual subjects, concentrating attention on the sitter's features and expression. As a record of personal connection within the mid-twentieth-century Japanese print community, the work holds both artistic and documentary value.