
Mt. Aso
- Medium:
- Mokuhanga (Japanese woodblock)
- Image courtesy of
- Saru Gallery
Description
Mount Aso, the active volcanic complex in Kumamoto Prefecture on Kyushu, has long been a subject for meisho-e (famous-place prints), with its caldera and ash-strewn plateau drawing artists from the Edo period onward. Nakao's treatment likely emphasizes the volcanic terrain — the smoking crater, the pumice slopes, the surrounding grasslands — rendered in the granular, textured surfaces characteristic of his cement-block printing technique. By pouring wet cement into wooden frames and scoring the setting surface, he achieved a tactile equivalent for ash, lava field, and weathered rock that conventional woodblock carving could not easily produce. Volcanic landscapes hold a particular place in sosaku-hanga, where artists used the medium's expressive potential to convey geological mass and atmospheric weight rather than the precise topography of earlier landscape ukiyo-e. As a printmaker whose work was distributed internationally through the Graphic Society of New York, Nakao often worked at a scale that allowed such terrain to register physically as well as pictorially.
![[Grey Figure Posing] by Nakao Yoshitaka](https://1.api.artsmia.org/800/135848.jpg)


