
Boy's Day
- Medium:
- Etching
- Image courtesy of
- Saru Gallery
Description
Boy's Day refers to Tango no Sekku, the May 5 festival historically dedicated to boys (now Children's Day, Kodomo no Hi). Conventional iconography includes carp streamers (koinobori) flown from poles, warrior figures (musha-ningyō) displayed indoors, helmets (kabuto), and irises (shōbu), each carrying associations of strength, persistence, and martial readiness. Without firsthand examination it cannot be confirmed which of these elements Norikane selected, but the title's directness suggests a recognizable festival scene rather than an abstracted treatment. Festival subjects appear across Japanese printmaking from Edo-period woodblock through twentieth-century intaglio, and the choice of etching here continues the pattern visible elsewhere in Norikane's output of applying a Western printmaking technique to subjects rooted in Japanese seasonal observance. The tag "Children" rather than a specific named figure further suggests the subject is the festival itself — its objects, banners, or participants — rather than a portrait of an individual child.







