Dressing

The print depicts a woman in the act of dressing, a recurring subject in the [bijin-ga](/glossary/bijin-ga) tradition that Shimura inherited from his [shin-hanga](/glossary/shin-hanga) forebears and his teacher Yamakawa Shuho. The dressing motif typically shows the figure adjusting an obi, slipping an arm through a sleeve, or arranging the collar of a kimono — moments of private toilette in which the body and the garment are jointly the subject. The mokuhanga technique allows fine pattern work on the kimono fabric, with multiple registered blocks supplying outline, base color, and successive layers of decorative motif; [bokashi](/glossary/bokashi) gradation often softens the modeling of skin and hair. Shimura's treatment of the dressing subject is reserved, eschewing the eroticized boudoir conventions of earlier [ukiyo-e](/glossary/ukiyo-e) in favor of a poised, contemplative attention to the figure. The print continues the lineage through Kaburagi Kiyokata, in which feminine grace is rendered through restraint of incident rather than through narrative or expressive emphasis.