This woodblock print takes its title from the tenth month, suggesting an engagement with the specific atmospheric and visual qualities of mid-autumn in Japan. October brings clear skies and cooling temperatures that sharpen the landscape after the hazy warmth of summer, and Miyamoto Shufu's print likely reflects this seasonal clarity through a crisper palette and more defined forms than his misty summer scenes. The month of October in the traditional Japanese calendar was called Kannazuki, the "month without gods," when Shinto deities were believed to gather at Izumo Shrine, leaving the rest of the country temporarily bereft of divine presence. Whether Shufu intended this cultural association or simply recorded the month's visual character, the print carries the weight of seasonal significance that permeates Japanese art.