Girl With birds

A young female figure with multiple birds, a configuration Nakayama returned to throughout his children prints. The girl is likely shown with birds perched on her, beside her, or circling overhead, the figures fused into a single decorative unit rather than reading as observation from life. Nakayama's children carry the visual signature he refined from the 1960s onward — a disproportionately large head, simplified almond-shaped or dotted eyes, and patterned surface treatment of hair, kimono, or skin that recalls folk craft. Mokuhanga technique here deploys multiple color blocks pulled in sequence over washi, with flat saturated planes dominating and bokashi gradation reserved for selective passages. The birds themselves are typically reduced to bold silhouettes carved with broad gouge strokes that retain the cutting action on the printed surface. This print belongs to the children-and-birds subgroup within Nakayama's post-horse production and exemplifies the sosaku-hanga principle of single-artist authorship at every stage of design, carving, and printing.