An Entrance (1) (517)

The title suggests a study of a traditional gateway — likely the entrance to a farmhouse, temple precinct, or walled garden, subjects to which Tanaka returned throughout his career. Entrance compositions in mokuhanga typically rely on careful framing, with stone foundations, timber doorframes, and overhanging eaves drawn in precise registration across multiple blocks. The deep blacks of weathered wood and the muted tones of plastered walls are built up through successive impressions, [baren](/glossary/baren) pressure varied to lend texture to thatch or tile. As the first in a numbered sequence, this print invites comparison with later variants in which the artist may have shifted angle, light, or season. Tanaka spent decades documenting the architectural particulars of rural Japan — the kawara tile, the shoji-screened genkan, the worn stone step — and an entrance study distills that interest into a single threshold view, framing the boundary between exterior landscape and the unseen interior life within.