Young Woman Holding an Umbrella

A [hosoban](/glossary/hosoban) benizuri-e by Torii Kiyohiro showing a young woman holding an umbrella, a single-figure [bijin-ga](/glossary/bijin-ga) composition of around 1750 in which the umbrella functions both as a practical attribute and as a compositional device that breaks the vertical line of the narrow sheet with a diagonal axis. The umbrella in Edo bijin-ga was almost never neutral: opened against the rain it implied an outdoor moment of urban incident, opened in fair weather it suggested either a sunshade or a fashionable accessory, and held by a woman walking alone it carried discreet connotations of an assignation or a meeting in a public street. The Torii school had codified the standing single-figure portrait on the narrow hosoban sheet (approximately 31 by 14 cm) as the default format for its actor prints, and Kiyohiro adapted the same proportions to bijin-ga production. The benizuri-e palette of registered pink and green over a black key block dates the print to the period before the full-colour [nishiki-e](/glossary/nishiki-e) revolution of the mid-1760s, when Suzuki Harunobu and his collaborators introduced the eight- or ten-block technique that would transform Edo printmaking. The print is held at the Art Institute of Chicago.