A girl

A figural study of a young female subject, executed in Hiratsuka's black-line woodcut idiom. Unlike the bijin-ga of the ukiyo-e tradition, which conventionalized feminine beauty through fashion and gesture, Hiratsuka's figure prints typically prioritize structural drawing over decorative pattern—the face built from broad planes of carved white against ink-black hair and clothing. The print reflects the broader sosaku-hanga interest in everyday human subjects rendered with the directness of European modernist printmaking, which influenced Hiratsuka through his early studies in Western-style painting. His teacher Yamamoto Kanae had encouraged this synthesis of Western graphic principles with traditional mokuhanga technique. Across his career, Hiratsuka produced relatively few figure prints compared to his temple and landscape output, making works like this representative of his less-explored portrait practice. The print demonstrates how the sosaku-hanga movement opened the medium to subjects and treatments outside the established ukiyo-e genre categories.