Shinagawa lumberyard

"Shinagawa Lumberyard" depicts one of the timber-handling districts that lined Tokyo Bay, where rafts of logs and stacked planks were sorted for the construction trade. Hiratsuka Un'ichi's choice of an industrial subject reflects [sosaku-hanga](/glossary/sosaku-hanga)'s openness to modern motifs—mills, harbors, factories—that [ukiyo-e](/glossary/ukiyo-e) seldom addressed. The composition leans on the rectilinear geometry of stacked beams and crane structures, translating these forms into hard-edged black shapes against the unprinted [washi](/glossary/washi). Knife strokes carry the wood grain itself, a fitting reflexive note in a print depicting cut lumber. Hiratsuka, who hand-carved and hand-printed his own blocks rather than working through a publisher's craftsmen, would have used the [baren](/glossary/baren) to vary ink density across the larger black fields. The print belongs to a strand of his Tokyo subjects in which the city is recorded not as a collection of famous landmarks but as a working landscape of yards, waterways, and bridges.