Ditch In early spring

This print addresses an unusually humble subject for woodblock — a drainage ditch at the cusp of spring, when meltwater begins to flow and the first growth emerges from winter's exhaustion. Such modest rural scenes were characteristic of [sosaku-hanga](/glossary/sosaku-hanga)'s interest in everyday Japanese life, distinct from the famous-place tradition of [meisho-e](/glossary/meisho-e). The composition would likely emphasize linear elements — the ditch's edge, reflections, perhaps the first stems of grass or weeds — rendered with careful carving and selective [bokashi](/glossary/bokashi) to convey the cold light and tentative warmth of the early season. Mori's documentation of regional folk customs extended naturally to the agricultural and domestic settings in which those customs occurred, and an early-spring ditch would be precisely the kind of overlooked rural element his Nihon Minzoku Zufu project sought to record. The choice of subject reflects both a sosaku-hanga sensibility and Mori's particular attention to the provincial landscapes that his Hida upbringing instilled.