
Spring at Pyongyang (Pubyok Pavilion from Moran Hill)
by Kawase Hasui

by Kawase Hasui
Edition period is the primary value driver for Hasui prints. Pre-war lifetime editions with the Watanabe copyright seal (A through D types) consistently achieve 3–5× the price of posthumous reprints of the same design. Condition is the second key factor — unfaded colors, full margins, and absence of foxing or staining are essential. Subject matter (snow > rain > night > other) provides a further modifier within each edition tier.
Spring at Pyongyang (Pubyok Pavilion from Moran Hill), published in 1939 as a standalone composition, depicts the view from Moranbong (Moran Hill) — the wooded hill above the Taedong River at the center of Pyongyang that was the city's historic park and viewpoint — looking down on the Pubyokru pavilion, an ancient two-story pavilion perched on a cliff above the river bend. The spring setting softens the cliff and woodland scenery with new foliage and blossoms. This standalone print relates to the Eight Views of Korea series from the same year, sharing its compositional approach to Korean landscape documentation.

1948
Woodblock print, ink and color on paper

Woodblock print

Spring 1925
Woodblock print, ink and color on paper with mica
20th century
Woodblock print; ink and color on paper
Curated cross-cuts that include this print.
Spring at Pyongyang (Pubyok Pavilion from Moran Hill) was created by Kawase Hasui (川瀬巴水) in 1939.
Spring at Pyongyang (Pubyok Pavilion from Moran Hill) uses Bokashi, on woodblock print, ink and color on paper.
Spring at Pyongyang (Pubyok Pavilion from Moran Hill) was published by Watanabe Shozaburo (1939).
Spring at Pyongyang (Pubyok Pavilion from Moran Hill) depicts spring and architecture.
Spring at Pyongyang (Pubyok Pavilion from Moran Hill) measures 39.2 × 27.5 cm (Oban format).