Circus: equestrian vaulting

This print captures the equestrian-vaulting act, in which performers stand, balance, or somersault on the back of a moving horse circling the ring. Kawanishi composes such circus subjects by reducing figures and animals to flat shapes set against the curved horizon of the ring or the canopy of the big top, prioritizing pattern and chromatic contrast over anatomical detail. The energy of a moving horse and acrobat is conveyed through tilted forms and color blocks rather than line work — an approach that owes something to fauvism's liberation of color from descriptive function and something to sosaku-hanga's affinity for direct, expressive carving. As a self-printed (jizuri) work, the impression bears the chromatic intensity and slight tonal variation that come from artist printing on washi with a baren. The subject sits within Kawanishi's wider circus series, which also includes scenes of clowns and Chinese troupes, and it reflects his interest in itinerant entertainment as a marker of Kobe's modern, internationally connected character during the early Showa period.