river near Yoshino (Nara)

This composition treats a watercourse in the Yoshino region of Nara Prefecture, an area encompassing the sacred peaks of Mount Yoshino and the river system feeding into the Yoshinogawa. The Yoshino district holds a long association in Japanese poetry and pilgrimage with cherry blossoms, mountain ascetics, and the fourteenth-century Southern Court. Nakazawa's interpretation differs from earlier meisho-e treatments such as Hiroshige's provincial views; rather than emphasizing recognizable topographical landmarks, he concentrates on the broader pictorial relationship between water, foliage, and atmosphere. As a sosaku-hanga print, the work reflects the movement's concern with the artist's individual vision rather than reproductive printmaking. Nakazawa's background as a yoga painter shows in the handling of foreground and recession, with tonal gradations achieved through bokashi printing across multiple blocks. His prints of this period are uncommon in collections, as he produced woodblocks intermittently alongside his primary practice as an oil painter exhibiting at the Bunten and successor government salons.