Scene from the "Chushingura" Drama

Ichirakutei Eisui's Scene from the Chushingura Drama, a woodblock print in ink and color on paper held by the Metropolitan Museum of Art and dated to about 1797, takes its subject from the dramatized history of the forty-seven loyal retainers, the long-running theatrical and printed cycle that recounted the avenging of the daimyo Asano Naganori by the former samurai of his suppressed household. The Chushingura cycle was a perennial source for [ukiyo-e](/glossary/ukiyo-e) in the late eighteenth and nineteenth centuries, allowing print designers to combine portraiture, costume study, and dramatic incident in a single sheet. Eisui's print departs from his more familiar idiom of single-figure Yoshiwara portraits to engage a narrative scene, but it preserves the elongated figural type and restrained color of the Chobunsai Eishi school. The Metropolitan's impression makes clear that the print's interest lies in its careful handling of multiple figures within a compressed pictorial field, the costume detail, and the discreet allusions to the published versions of the Chushingura narrative familiar to contemporary buyers. The sheet provides important evidence of Eisui's range beyond the okubi-e of named courtesans for which he is most often remembered.