Autumn in Kozandera

The title points to Kōzan-ji, the mountain temple in the Toganoo district of northwestern Kyoto founded in the early thirteenth century by the priest Myōe and famous as the repository of the Chōjū-jinbutsu-giga animal-caricature handscrolls. Ido renders the compound in full koyō, with Japanese maples (momiji) turning the surrounding slopes into layered fields of vermillion, ochre and persimmon. The composition typical of his autumn [meisho-e](/glossary/meisho-e) places a section of dark cypress-shingle roof or temple gate at one edge of the sheet, allowing the weight of foliage to dominate the picture plane. Multiple key blocks carry the architectural geometry, while [bokashi](/glossary/bokashi) gradations on the color blocks soften the transition from leaf canopy to shadowed undergrowth. Pigment is layered through repeated [baren](/glossary/baren) impressions onto absorbent [washi](/glossary/washi), building the saturated reds for which his Kyoto seasonal series became identified. Within the four-decade Kyoto cycle, Kōzan-ji recurs as one of the artist's signature autumn subjects, alongside Tōfuku-ji and Eikan-dō, anchoring the cool-weather quadrant of his year-long survey of the old capital.