Lady with Red Lacquer Mirror Fixing Her Hair

This [bijin-ga](/glossary/bijin-ga) centers on a woman using a red lacquer mirror stand to arrange her hair, a subject that combines intimate portraiture with the display of refined domestic objects. Red lacquerware — whether a hand mirror, mirror stand, or both — provides a warm chromatic anchor for the composition, its glossy vermillion surface requiring printing techniques capable of conveying both depth of color and reflective quality. The woman's coiffure, depicted in the process of being arranged, would be rendered through fine key-block lines defining individual strands and the forms of any ornamental combs or kanzashi pins in place. The kimono supplies the composition's largest color field, its pattern and palette calibrated against the red of the lacquer. Domoto's treatment of this subject within the bijin-ga tradition brings a nihonga painter's attention to material quality — the luster of lacquer, the weight of woven silk — to a format more commonly associated with the commercial [shin-hanga](/glossary/shin-hanga) portrait print.