Key value factors: Edition order (first Watanabe/Doi printing vs. posthumous reprints) is crucial. Snow scenes, night views, and bijin-ga typically command premiums. Publisher seals and artist signatures authenticate first editions.
This untitled print is part of Inuzuka Taisui's output of [shin-hanga](/glossary/shin-hanga) botanical works. Taisui operated within the flower-and-bird genre that has deep roots in East Asian painting traditions, stretching back through Chinese Song dynasty models to become a central category of Japanese art. In the shin-hanga revival of the early twentieth century, [kacho-e](/glossary/kacho-e) subjects offered publishers a reliable commercial format: decorative, seasonally appropriate, and appealing to both Japanese and Western buyers. Taisui contributed to this market with prints that balanced scientific observation of plant structures with the aesthetic refinement expected of the genre. The exact subject of this undated, untitled work remains unrecorded, but it was produced using the standard woodblock method of carved cherry wood blocks and water-based pigments on handmade paper.
Curated cross-cuts that include this print.
Untitled (inuzuka-taisui) was created by Inuzuka Taisui (犬塚泰水).
Untitled (inuzuka-taisui) depicts birds & flowers, still life, and abstract.
