A chawan, the hand-thrown tea bowl central to the Japanese tea ceremony, is rendered here through the close observation and precise line work characteristic of Joel Stewart's intaglio practice. Unlike decorative porcelain, the chawan prized in chado is typically uneven in form, with a foot ring purposely left rough and a glazed surface showing drips, kiln marks, and color variations — qualities that accumulate meaning through use. Stewart's etching likely places the bowl at close range, allowing the acid-bitten lines to trace the subtle topography of its surface: the irregularities of the rim, the pooling of glaze at the base, the shadow cast by the interior. Working in Kyoto, where the tea ceremony remains a living practice, Stewart brings firsthand familiarity to this subject, recording not an exotic curiosity but an object encountered in daily cultural life.
Chawan was created by Joel Stewart.
Chawan uses Etching and Lithograph, on etching.
Chawan depicts still life.
