Printed in an edition of 86, this oban mokuhanga captures the charged stillness that follows a rainstorm, when saturated surfaces release moisture back into the warming air. Joshua Rome renders this transitional moment through layered water-based pigments on washi paper, each printing pass adding another veil of translucent color that builds cumulative depth. The wet-on-damp printing conditions that mokuhanga requires give the image an organic softness impossible to achieve with oil-based inks, and Rome exploits this quality to evoke the humidity and diffused light of a post-rain landscape. The edition number suggests this is a mature work produced with the confidence of an artist who has internalized the technical demands of hand-printing and can focus on atmospheric nuance rather than procedural concerns.