Aloha — アロハ

This print takes its title from the Hawaiian greeting, suggesting a female figure rendered in tropical or lei-adorned dress, and reflects the postwar Japanese fascination with Pacific and American imagery that entered popular culture through occupation-era media. Kawano's characteristic bijin-ga approach — the central female figure rendered in sweeping carved lines with areas of flat, saturated color — would here be inflected with exotic costuming rather than traditional kimono. The sosaku-hanga movement's openness to contemporary and cross-cultural subject matter made such departures from classical Japanese themes entirely within its scope. Kawano printed his own blocks on washi, and the title's romanized katakana transcription ('アロハ') indicates the work was likely produced with Western collectors in mind. The floral imagery implied by Hawaiian dress would align with his broader interest in combining decorative color passages with figure work, using bokashi gradation selectively to model form against flat ground passages.