Fuji View Plain in Owari Province (bishū fujimigahara)

Fuji View Plain in Owari Province, known in Japanese as Bishū Fujimigahara, is a Katsushika Hokusai print from around 1830 in the Victoria and Albert Museum and belongs to the celebrated Thirty-six Views of Mt. Fuji. The composition is one of the most striking inventions in the series: a cooper bends within a great wooden tub that he is hooping, and the perfect cone of distant Mount Fuji appears framed by the curving interior of the half-finished barrel. The juxtaposition of monumental sacred mountain and humble craftwork is characteristic of Hokusai's Fuji project, in which the peak repeatedly anchors scenes of labor, travel, and daily life. As a [ukiyo-e](/glossary/ukiyo-e) print designer working with Prussian blue and a controlled secondary palette, he disciplines the composition through the strong geometry of the barrel while allowing the artisan's body and tools to register the texture of work. The print belongs to one of the foundational achievements of Edo ukiyo-e, and it has been widely reproduced as an emblem of Hokusai's wit and design intelligence. The Victoria and Albert Museum preserves the sheet within its substantial holdings of Hokusai material, where it sits beside the Great Wave and other key designs from the Thirty-six Views. The print remains a textbook example of how Hokusai combined sacred geography, occupational portraiture, and graphic invention in a single ukiyo-e composition.