from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)

This sheet from Kyōsai hyakuzu — a series of woodblock prints published across the 1860s through 1880s that collects the full range of Kyōsai's pictorial imagination — likely depicts one of the oni (demon) subjects that recur throughout the set. Kyōsai trained under both the Kanō school and [ukiyo-e](/glossary/ukiyo-e) master Utagawa Kuniyoshi, and his oni imagery synthesizes the volumetric brushwork of classical painting with the bold color contrasts of [nishiki-e](/glossary/nishiki-e) printing. The series format allowed Kyōsai to work without the thematic constraints of a conventional album, producing single-sheet compositions of unusual spontaneity. Printed on ōban [washi](/glossary/washi) with multiple woodblocks, each sheet demonstrates the carvers' ability to translate Kyōsai's fluid, gestural line — sometimes rendered with a single broad stroke of the brush — into the exacting medium of relief printing. [Bokashi](/glossary/bokashi) gradients were applied selectively to model form and suggest atmospheric depth without compromising the raw energy of the original sketch.