Shinjuku station neighbourhood

Shinjuku station neighbourhood is an unusual subject for Sasajima, whose sustained interest lay in Buddhist temple architecture and rural landscape rather than dense urban Tokyo. The image likely registers the postwar rebuilding of the district, with low buildings, signage, and rail infrastructure compressed into the flattened spatial logic that sosaku-hanga inherited from early-twentieth-century European modernism. Where commercial shin-hanga printmakers softened the modern city through atmospheric bokashi, Sasajima's idiom is harder: visible gouge marks, blunt colour areas, and registration that admits its own seams. A station-neighbourhood print would foreground the station as a structural fact rather than a romantic destination. The work sits at the edge of Sasajima's body of work and offers a counterpoint to his more characteristic temple meditations -- a reminder that the creative-print movement under Onchi Koshiro engaged with contemporary Japan as well as its sacred sites. Every block is hand-carved and hand-pulled, a discipline Sasajima maintained without exception across more than fifty years.