Two Court Ladies

Two Court Ladies is a [surimono](/glossary/surimono) (privately commissioned, deluxe woodblock print) by Kitagawa Tsukimaro, signed Kikumaro and dating to about 1815. Two seated figures in heavy multi-layered court robes face one another across the composition, their hair arranged in the long flowing style associated with Heian-period courtly women rather than contemporary Edo bijin. The use of metallic pigments — silver and gold — and the deep embossing of the textile patterns identify the print as a surimono, a category of luxury print produced outside the standard commercial publishing system and circulated privately among the members of kyōka poetry clubs. Tsukimaro's surimono of the 1810s are among the finest examples of the genre, distinguished by their delicate palette, refined embossing, and a strong taste for classical literary subjects. The two court ladies pictured here are likely a mitate — a witty visual translation — referring to a specific moment in Heian-period literature, perhaps the Tale of Genji or the Ise monogatari, in which contemporary Yoshiwara women have been recast as the court figures of the classical past. The print belongs to the deeply literary half of Tsukimaro's oeuvre, and exemplifies the surimono's role as the most cultivated subcategory of late-Edo [bijin-ga](/glossary/bijin-ga). The Metropolitan Museum holds an impression.