Night Rain in Rakuhoku (Kyoto) - 洛北夜雨
- Medium:
- Woodblock print
- Source:
- Ohmi Gallery
- Image courtesy of
- Ohmi Gallery
Description
The first of Kotozuka's Rakuhoku night rain series establishes the compositional framework that the second version would revisit. Rakuhoku's northern mountain character—dense cryptomeria forests, stone paths, mountain streams—provides a distinctly different atmosphere from central Kyoto's temple gardens. Kotozuka likely depicts the rain falling across a forested slope or river valley, with whatever architectural element anchors the composition—a torii gate, a temple roof, a stone lantern—partially obscured by rain and darkness. The [washi](/glossary/washi) ground, dampened in printing to allow color to spread slightly, could enhance the blurred quality of forms seen through rain. Technically, night rain prints require the most color blocks of any landscape type: sky ground, rain lines, reflective water, architectural elements, and foliage must each be handled separately to maintain legibility across what is fundamentally a very dark compositional field.





![Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" by Kawase Hasui](https://www.artic.edu/iiif/2/d0960668-1e73-339a-b182-fb995a54bff0/full/843,/0/default.jpg)
