The Yomeimon Gate in Summer

Tōshōgū's celebrated Yomeimon gate takes its informal name, "Higurashi no Mon" (the gate one could gaze at until dusk), from its exceptional density of surface ornament—hundreds of carved figures, animals, and botanical motifs covering every architectural member in polychrome lacquer. In summer, the surrounding cryptomeria forest reaches full canopy, and the white-and-gold gate stands in vivid contrast to the deep greens. Kotozuka's composition likely frames the gate from the stone-paved approach below, allowing the two-story structure to dominate the picture field with cedars rising behind. A graduated [bokashi](/glossary/bokashi) sky moving from pale near the horizon to deeper blue above would set off the white facade. This subject represents a departure from Kotozuka's predominantly Kyoto focus, placing it among his Nikkō prints documenting the Tōshōgū complex across seasons. The decision to render this subject twice suggests the gate's compositional richness rewarded multiple approaches.