New desktop pictures for spring and autumn

The title's reference to desktop pictures likely invokes shikishi—small decorative pictorial sheets traditionally placed on a writing desk—or possibly egoyomi, the calendar print tradition with roots in the Edo period. This print pairs seasonal imagery: spring blossoms, perhaps cherry or plum, against autumn foliage likely rendered in the warm oranges and reds for which Japanese fall landscapes are known. The dual-season format is a longstanding convention in Japanese art, representing the full arc of seasonal beauty through two complementary pictorial poles. Senpan's interpretation would likely be intimate in scale and direct in imagery, avoiding the elaborate compositional formulas of earlier print traditions in favor of observed botanical specificity. The mokuhanga technique suits flat areas of color for blossoms and foliage, with bokashi gradations suggesting sky or background wash. The intimacy implied by the desktop context—objects meant to be held and examined closely—aligns with the personal scale at which Senpan often worked.