Ox

The kanji 牛 (ushi, ox) rendered as constructed architecture. Maki Haku's signature method—wood blocks overlaid with cement and plaster, carved through the composite layer—translates the calligraphic stroke into raised physical relief on the printed sheet. The character's vertical and horizontal members rise from the paper as low ridges, the cement aggregate leaving a pebbled grain across each stroke that catches raking light differently than the surrounding ground. The negative field carries the impressed weave of dampened washi pressed under the baren against the textured matrix. Begun after Maejima's 1950s passage through Art Informel and contact with the Gutai milieu, his single-character compositions treat the ideogram not as text but as monumental form—the calligrapher's gestural vocabulary frozen into the immobile bulk of cast wall. The ox carries zodiac and agrarian associations in Japanese tradition; Maki strips these to ideographic essence.