Bird cage and flowers

An early nineteenth-century [shikishiban](/glossary/shikishiban) [surimono](/glossary/surimono), Bird Cage and Flowers shows Shinsai at his most decoratively economical. The cage and the flowering branch are arranged on a quiet ground, leaving generous blank space above and beside the motif for the kyoka verses the print was designed to carry. The composition reflects Shinsai's debt to Tawaraya Sori and the broader Rinpa tradition of two-dimensional still-life design, but the cage's slender bars and the carefully observed structure of the small wooden door announce his Hokusai-school training in precise object drawing. Surimono of this kind were not sold but commissioned, and their luxury was concentrated in the surface treatment: pale color washes, fine line work, and embossing that the digital reproduction can only partly suggest. The impression is held at the Art Institute of Chicago.