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Nihonbashi by Ryūryūkyo Shinsai — Japanese Color woodblock print; long surimono, early 19th century

Nihonbashi

by Ryūryūkyo Shinsai

Date:
early 19th century
Medium:
Color woodblock print; long surimono

Description

Nihonbashi, the great wooden bridge at the symbolic heart of Edo, supplied subject matter for generations of ukiyo-e designers. Shinsai's early nineteenth-century treatment is unusual in that it appears in the long surimono (naga-surimono) format, a horizontal panel that allowed him to extend the bridge and the surrounding river-side activity into a landscape-scaled composition. Long surimono were less common than the shikishiban format and were typically commissioned for special occasions, often by senior figures within a kyoka club. The deluxe production values—metallic pigments, embossed details, refined color gradation—and the bridge's centrality to Edo civic identity together suggest a print of some ceremonial weight. The Art Institute of Chicago holds the impression as part of its surimono collection.

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Frequently Asked Questions

Nihonbashi was created by Ryūryūkyo Shinsai (柳々居辰斎) in early 19th century.