Red Table with Fans and a Brush Stand

Red Table with Fans and a Brush Stand is a [surimono](/glossary/surimono) by Ryuryukyo Shinsai in the Metropolitan Museum of Art. A pupil of Katsushika Hokusai and a designer working in the Hokusai school, Shinsai often composed his surimono around a single piece of furniture set with carefully chosen accessories. Here a low red lacquered table supports a group of fans and a brush stand, the implements of writing, painting, and elegant gesture. Red lacquer carried strong associations with formal celebration and auspicious occasions, while fans and brushes belonged together in the world of the literary and artistic studio. The arrangement reads almost as a portrait of a kyoka poet's working desk, the items poised in readiness for the composition of verse. Shinsai positions the objects on the table with the calm assurance characteristic of his school, allowing the rectangular plane of the table to anchor the more delicate forms above. The print exploits the lavish techniques typical of surimono production: embossed blindprinting ([karazuri](/glossary/karazuri)) modeling the lacquer surface and the textured handles of brushes, soft color gradations across painted fans, and discreet metallic pigments suggesting gold leaf and inlay. Commissioned privately by a kyoka poetry circle, the surimono would have been distributed alongside verses by its members. The print typifies Shinsai's gift for transforming an artist's working tools into a quietly festive emblem of cultivated life. Source: Metropolitan Museum of Art, https://www.metmuseum.org/art/collection/search/54963.