Mt. Fuji from Lake Ashinoko by Shiro Kasamatsu — Japanese Color woodblock print, 1935

Mt. Fuji from Lake Ashinoko

芦ノ湖の富士

by Shiro Kasamatsu

Date:
1935
Medium:
Color woodblock print
Format:
Oban
Dimensions:
23.8 × 36.2 cm

Typical Price

Viewed across Lake Ashinoko's calm waters, Mount Fuji rises with the symmetry that has captivated artists for centuries. This Watanabe-published scene typically commands $1,000-$2,500 for lifetime editions. The mirror-like lake surface required precise flat printing contrasted with the mountain's textured slopes, a technical challenge that separates strong impressions from weaker ones.

Description

Mt. Fuji from Lake Ashinoko presents Japan's most iconic mountain as seen across the calm waters of Lake Ashinoko in the Hakone region, one of the classic vantage points for viewing Fuji that has inspired artists for centuries. Created in 1935 by Shiro Kasamatsu and published by Watanabe Shozaburo, this print participates in the venerable tradition of Fuji imagery that includes Hokusai's Thirty-six Views and Hiroshige's numerous depictions of the sacred peak.

The composition captures Mt. Fuji's symmetrical cone reflected in or rising above the still waters of the lake, with the surrounding Hakone mountains framing the scene. Lake Ashinoko, a crater lake formed by a volcanic eruption approximately three thousand years ago, provides an ideal foreground for Fuji views, its calm surface and mountainous shoreline creating natural depth and compositional balance. Kasamatsu likely included elements such as boats, torii gates, or shoreline vegetation to establish scale and add visual interest to the middle ground.

The printing technique employs the full range of shin-hanga methods to convey atmospheric depth. Bokashi gradation in the sky transitions from deeper color at the top to lighter tones near the horizon, while the mountain itself is rendered with subtle color shifts that suggest distance and aerial perspective. The lake surface required careful printing to achieve the reflective quality of still water, with slight variations in tone conveying gentle ripples or the mirror-like calm of a windless day.

This 1935 work places Kasamatsu firmly within the Hakone landscape tradition while demonstrating his distinctive approach to a subject painted by countless artists before him. Rather than attempting to compete with the dramatic stylization of Hokusai or the poetic atmospherics of Hiroshige, Kasamatsu brought a twentieth-century naturalism to the scene, rendering Fuji with the careful observation and atmospheric truthfulness that characterize the best shin-hanga landscapes. The print remains a popular collector's piece, embodying the timeless appeal of Japan's most revered natural landmark.

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