Kinsatsu, from the series "Pictures of No Performances (Nogaku Zue)"

Kinsatsu is a Meiji woodblock print by Tsukioka Kogyo, published in 1893 in Pictures of No Performances (Nogaku Zue). Kogyo, who trained under Tsukioka Yoshitoshi and Ogata Gekko, devoted the bulk of his mature career to noh-e, a genre he is largely credited with establishing as a distinct and serious branch of Meiji woodblock production. This print conforms to the conventions of the series: a low ground line, sparse setting and concentrated focus on the costumed figure, faithful to the bare cedar stage of the noh theater. The keyblock outline preserves the dignity of the figure and the silhouette of the long robe with the artist's signature precision, while overprinted patterns and selective [bokashi](/glossary/bokashi) gradations build the brocade textures that distinguished karaori robes prized by Meiji-era patrons. A restrained palette - earthy ochres, muted indigo and pale gold - anchors the figure without illusionistic landscape. Kogyo's documentary authority came from his unusual access to performances at the [Hosho](/glossary/hosho) and Kanze schools during the Meiji noh revival, allowing him to draw from observation rather than imagination. Pictures of No Performances, issued by Matsuki Heikichi, served as the prelude to One Hundred No Dramas and helped establish noh-e as a recognized genre within Meiji woodblock culture. Together these projects form the most ambitious printed record of late nineteenth-century noh produced in Japan. The Art Institute of Chicago retains this impression as part of its substantial Kogyo holdings, where it serves as an authoritative example of his contribution to theatrical printmaking. Source: Art Institute of Chicago (https://www.artic.edu/artworks/155337).