Momiji-gari, from the series "Pictures of No Performances (Nogaku Zue)"

Momiji-gari, dated 1893 and from Tsukioka Kogyo's 'Pictures of No Performances (Nogaku Zue),' depicts a scene from one of the most celebrated demon plays in the noh repertory, in which the warrior Taira no Koremochi encounters a beautiful woman in the autumn maple-viewing fields who is revealed to be a demon. The play is performed by all the major schools and is among the most visually dramatic in the canon. Tsukioka Kogyo (1869-1927) recorded the play with the documentary care that characterized his Meiji woodblock noh-e project, isolating the figures against an open ground in the bare-stage convention he refined across the series. The artist had trained under Ogata Gekko and Tsukioka Yoshitoshi before specializing in theatrical subjects, and his attention to costume detail, mask choice, and posture allows the print to function as both an aesthetic object and a reliable visual record. The Art Institute of Chicago holds this impression. The maple-viewing theme had been a staple of Japanese visual culture for centuries, but Kogyo confines himself to the noh staging rather than reaching for naturalistic landscape, in keeping with the series' documentary intent. For collectors, Momiji-gari is one of the most narratively rich sheets in the Nogaku Zue series and a strong example of how Kogyo's discipline transforms a dramatic story into the controlled visual idiom of the noh stage.