Ohara Miyuki, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo's "Ohara Miyuki" of 1893 forms part of his series "Pictures of No Performances (Nogaku Zue)," a Meiji woodblock cycle that set out to picture the noh repertoire systematically. The play recounts the visit of the retired Emperor Go-Shirakawa to Ohara, where the former empress Kenreimon'in lives in seclusion after the fall of the Heike clan at Dan-no-ura, and is one of the most affecting plays in the Heike-derived repertoire. Kogyo's print isolates a stage moment, presenting the shite in formal alignment with the mask and costume that identify the role, while the cypress floor of the stage is suggested by unprinted paper. As characteristic noh-e, the design favors clear contour, flat planes of color, and restrained gradation over the more flamboyant effects sometimes found in late Meiji [ukiyo-e](/glossary/ukiyo-e) of the theater. Daikokuya Matsuki Heikichi published the "Nogaku Zue" series, and the Art Institute of Chicago holds this sheet within its broad collection of Kogyo's work. For viewers approaching the noh tradition through prints, the image rewards attention for its handling of the somber palette and the stillness of the central figure, attributes that align the print with the elegiac mood of the play. Within the larger arc of Tsukioka Kogyo's career, "Ohara Miyuki" exemplifies the artist's commitment to plays drawn from the Heike narrative and to a documentary mode of woodblock representation that prioritized fidelity to performance practice over dramatic embellishment.