Shokun, from the series "Pictures of No Performances (Nogaku Zue)"

Shokun is an 1893 Meiji woodblock print by Tsukioka Kogyo from the series Pictures of No Performances (Nogaku Zue), preserved at the Art Institute of Chicago. The sheet depicts the title figure of the noh play, traditionally identified with Wang Zhaojun, the historical Chinese court lady whose story became a recurring subject in Japanese classical theater. Kogyo presents the scene with the restraint that the genre requires: the figure stands or sits in formal pose against a quiet ground, the patterned robe carrying most of the visual weight, while attendant details are reduced to their iconographic essentials. Pupil of Tsukioka Yoshitoshi and Ogata Gekko, Kogyo built his reputation on noh-e, and Shokun shows how he could bring narrative resonance to a still figure through precise attention to costume, mask, and gesture. The Nogaku Zue series is widely regarded as the foundational project of Meiji noh-e, both for its scale and for the seriousness with which it treated theatrical accuracy alongside printmaking craft. Each sheet preserves a usable record of a specific play while standing on its own as a refined work of woodblock design, and Shokun is no exception. The Art Institute of Chicago documents the impression at https://www.artic.edu/artworks/155322, placing it within a major museum holding of Kogyo's noh prints. For collectors, this print offers an accessible entry point into how Tsukioka Kogyo extended the woodblock tradition into the realm of classical Japanese drama, marrying the visual conventions of [ukiyo-e](/glossary/ukiyo-e) to the formal vocabulary of noh while exploiting the printer's full palette and registration capabilities.