Yashima, from the series "Pictures of No Performances (Nogaku Zue)"

Yashima, dated 1893 and part of Tsukioka Kogyo's 'Pictures of No Performances (Nogaku Zue),' records the noh play centered on the warrior Minamoto no Yoshitsune at the battle of Yashima, where the Genpei War turned decisively against the Taira. The play is a second-category warrior piece and one of the most enduringly popular in the repertory for its blend of martial spectacle and Buddhist reflection on the suffering caused by war. Tsukioka Kogyo (1869-1927) brought his usual noh-e Meiji woodblock discipline to the subject, isolating the figure against an open ground so that the warrior's armor, posture, and mask carry the play's combined heroic and tragic resonance. The artist had trained under Ogata Gekko and Tsukioka Yoshitoshi before specializing in theatrical subjects, and his careful documentation of warrior plays in particular constitutes one of the most reliable visual archives of how Genpei War material was costumed and staged in the late nineteenth century. The Art Institute of Chicago holds this impression. For collectors interested in Yoshitsune as a figure of cultural memory, Yashima pairs naturally with plays like Funa Benkei, Ataka, and Yoshino Shizuka, all of which Kogyo recorded across his career. The sheet exemplifies how Kogyo's controlled idiom could convey both martial energy and contemplative weight within the same disciplined composition.