
Aoizaka
- Medium:
- Woodblock print
- Source:
- Art Gallery of Greater Victoria
- Image courtesy of
- Art Gallery of Greater Victoria
Description
Aoizaka—meaning Hollyhock Slope—was one of many named inclines that defined the topography of hilly Edo, and Hiroshige's prints of such slopes consistently find dramatic compositional possibilities in the steep angle of the road and the walls or embankments that frame it. This print likely shows the slope descending or ascending with figures navigating it: a palanquin, a pedestrian with a furoshiki bundle, or a figure bent against wind or rain. Hiroshige used the diagonal of a slope to organize the picture plane, with the vanishing point pulling the eye steeply through the composition. Depending on the season, cherry trees, pine branches, or bare winter limbs might overhang the scene from the top of a retaining wall. Slopes in Edo series prints function as both topographical documents and social observations, capturing the friction of a hierarchical city in motion—the effort of ascent and descent made visible in posture and clothing.
More Prints by Utagawa Hiroshige
More Urban Scenes Prints

A Hundred Shades of Ink of Edo: Kiyonaga's Pipe (Edo zumi hyaku shoku: Kiyonaga no kiseru)
Woodblock print

View of Kabuki Theater from Matsuya (Ginza Matsuya yori Kabukiza), no. 3 from the series "Pictures of Ginza, First Series (Gashu Ginza dai isshu)"
1928
Color lithograph

Distant View of Mitsukoshi Movie Theater in Shinjuku from the Sixth Floor of Hoteiya (Hoteiya rokkai kara Shinjuku Mitsukoshi Musashi no kan enbo zu), no. 1 from the series "Scenery of Shinjuku (Gashu Shinjuku fukei)"
1930
Color lithograph

Spring Dusk at the Tōshō Shrine in Ueno
1948
Woodblock print, ink and color on paper
Frequently Asked Questions
Aoizaka was created by Utagawa Hiroshige (歌川広重).
Aoizaka depicts urban scenes.



