A Windy Day under the Cherry Trees

Utagawa Toyokuni I's "A Windy Day under the Cherry Trees" takes the most quintessential of Edo [ukiyo-e](/glossary/ukiyo-e) settings — the cherry-blossom outing — and animates it with the small turbulence of weather. The Art Institute of Chicago holds the print, in which fashionable women, caught by a sudden gust beneath the blossoms, hold down their sleeves and steady their headcloths as petals scatter around them. The conceit is classic: a moment of beauty (the bloom) destabilized by a moment of vulnerability (the wind), giving the figures a pretext for gestures that reveal both the lining of the kimono and the temperament of the wearer. Although Utagawa Toyokuni is best known for kabuki actor prints — the [yakusha-e](/glossary/yakusha-e) that made the Utagawa school's name in Edo ukiyo-e — his bijinga of seasonal outings carry the same discipline of line and confident grouping. The wind compresses the figures' poses into a narrow range of urgent gesture, and Toyokuni handles each variation distinctly. The print would have circulated as a spring image keyed to the cherry-blossom season, a portable token of an activity that Edo residents and visitors alike pursued each year. The Art Institute of Chicago's catalogue documents the print without invention. For collectors of Edo ukiyo-e, the design is a particularly graceful example of Utagawa Toyokuni's bijinga, and of how Edo ukiyo-e drew its energy as much from the calendar of weather as from the calendar of kabuki.