Act I of the Drama "Sugawara"

Act I of the Drama "Sugawara" is an Edo [ukiyo-e](/glossary/ukiyo-e) woodblock print attributed to the Utagawa Toyokuni line and held by the Metropolitan Museum of Art, where the record carries a 1769 date. The image belongs to the [yakusha-e](/glossary/yakusha-e) tradition that the Utagawa school later defined, illustrating the opening act of the long kabuki cycle Sugawara denju tenarai kagami - the dramatization of the historical exile of the Heian-era scholar-statesman Sugawara no Michizane and the fates of his three loyal retainers Umeomaru, Matsuomaru, and Sakuramaru. Edo audiences knew the play's structure intimately, and a sheet such as this would have functioned as both souvenir and program note, fixing the costumes, postures, and role assignments of a particular performance. The composition is built around the strong silhouettes that Edo block-cutters could render efficiently in line and the broad, evenly inked color fields that early polychrome printing handled best. Contours describe the actors' faces and the heavy outer robes; finer cutting carries crests, sleeve patterns, and headgear. The Met's catalog entry is the primary verifiable source for the dating and attribution; it identifies the print by its drama and act without assigning a publisher or series specifically in the public record consulted here, and no further narrative claims are advanced beyond those. As a Sugawara design, the sheet sits at the intersection of Edo civic memory and ukiyo-e marketing, and it illustrates the kind of theatrical subject that the Utagawa Toyokuni workshop would continue to issue, in updated forms, well into the nineteenth century.